Review Detail
3.3 2
Young Adult Fiction
303
For Fans of The Diviners or In The Shadow of Blackbirds
Overall rating
3.7
Plot
N/A
Characters
N/A
Writing Style
N/A
Illustrations/Photos (if applicable)
N/A
What I Loved:
One of the recent trends seems to be historical fiction set in the 1920s. Born of Illusion is the third one I've read in the last year with a focus on the occult during the prohibition era. The fact that Born of Illusion follows on the heels of The Diviners and In the Shadow of Blackbirds does not really diminish it for me, and, likely, it was already in the editing process before the first of those was released. It's a funny coincidence, though. Well, three books in and I am definitely a fan of this possible new trend, though I wouldn't mind seeing something set in the 1920s a bit more about prohibition or gangsters or crossdressing musicians, rather than seances and spiritualism.
Anna Van Housen joins the ranks of YA heroines with mother issues and missing fathers, also known as roughly a third of YA heroines. Her mother is a well-known medium, though Anna knows that's all just illusion. Anna's the one who creates much of the illusion in fact, and is a talented musician herself. Her mother claims that Anna's father is the illustrious Harry Houdini, but Anna's not sure, and really does not like having her talent explained away by inheritance, because she has worked hard. I love the way Anna refuses to fall into gender norms or allow anyone to diminish her based on her gender.
On top of her magician skills, Anna has a host of other abilities about which her mother knows nothing, because Anna doesn't trust her mother enough to tell her. When she touches people, Anna can sense their emotions. She also experiences visions of the future, usually of catastrophic events like the sinking of the Titanic, but now of her mom afraid and herself drowning. Her powers have been getting stronger and she doesn't know why. Both the spiritualism and magic tricks were well-handled and described.
Anna's relationship with her mother plays a crucial role, as do her relationships with others. Since Anna and her mom have moved a lot, she's rarely had any friends, and Anna generally avoids contact so as not to read people's feelings. Now that they've moved to New York City, they're trying to build a home for themselves for once. At first, Anna's mother seems irredeemable, but I love that her character rounds out as the book progresses.
So, too, do the rest of the supporting cast members. Everyone initially is quite one note, but they become more robust as Anna opens herself up to the idea of being close to people. Her sketchy manager turns out to be surprisingly dependable. The crotchety old man downstairs becomes someone who always cares and helps out. The vapid blonde with an interest in seances and the much older, bored husband ends up a dear friend. Watching Anna overcome her first impressions of people is delightful, and such a great message; in my own life, I've often found that people are not what they seem at first glance.
Then, of course, there is romance. Anna has two options on her romantic horizons: party boy and wannabe Magician Owen or controlled, polite British Cole. What's great about this love triangle of sorts is that it's very low key. Anna basically has two very different sorts of crushes on two very different boys, and is trying to figure out which one she actually likes. She doesn't make lifelong plans or commitments, and thinks in terms of the present moment, which is great.
What Left Me Wanting More:
The weak point of the novel was definitely the mystery element. Anna's trying to figure out who means her harm, and the culprit is obvious. Or, at least, was to me. The evil dude is also rather generically evil, too, lacking in motivation, though perhaps this will be developed in later books. On top of that, the ending felt quite rushed, with the climactic scene cut off in the middle, the rest of the happenings explained to Anna after the fact. While this did make sense in context, it was still confusing and anticlimactic for the reader.
The Final Verdict:
Though I initially thought Born of Illusion was a standalone, I'm okay with there being more books about Anna and will be eagerly awaiting Born of Deception. With a vibrant heroine, a cute romance, daring escapes and ghostly visitations, Born of Illusion is a fun and exciting read.
One of the recent trends seems to be historical fiction set in the 1920s. Born of Illusion is the third one I've read in the last year with a focus on the occult during the prohibition era. The fact that Born of Illusion follows on the heels of The Diviners and In the Shadow of Blackbirds does not really diminish it for me, and, likely, it was already in the editing process before the first of those was released. It's a funny coincidence, though. Well, three books in and I am definitely a fan of this possible new trend, though I wouldn't mind seeing something set in the 1920s a bit more about prohibition or gangsters or crossdressing musicians, rather than seances and spiritualism.
Anna Van Housen joins the ranks of YA heroines with mother issues and missing fathers, also known as roughly a third of YA heroines. Her mother is a well-known medium, though Anna knows that's all just illusion. Anna's the one who creates much of the illusion in fact, and is a talented musician herself. Her mother claims that Anna's father is the illustrious Harry Houdini, but Anna's not sure, and really does not like having her talent explained away by inheritance, because she has worked hard. I love the way Anna refuses to fall into gender norms or allow anyone to diminish her based on her gender.
On top of her magician skills, Anna has a host of other abilities about which her mother knows nothing, because Anna doesn't trust her mother enough to tell her. When she touches people, Anna can sense their emotions. She also experiences visions of the future, usually of catastrophic events like the sinking of the Titanic, but now of her mom afraid and herself drowning. Her powers have been getting stronger and she doesn't know why. Both the spiritualism and magic tricks were well-handled and described.
Anna's relationship with her mother plays a crucial role, as do her relationships with others. Since Anna and her mom have moved a lot, she's rarely had any friends, and Anna generally avoids contact so as not to read people's feelings. Now that they've moved to New York City, they're trying to build a home for themselves for once. At first, Anna's mother seems irredeemable, but I love that her character rounds out as the book progresses.
So, too, do the rest of the supporting cast members. Everyone initially is quite one note, but they become more robust as Anna opens herself up to the idea of being close to people. Her sketchy manager turns out to be surprisingly dependable. The crotchety old man downstairs becomes someone who always cares and helps out. The vapid blonde with an interest in seances and the much older, bored husband ends up a dear friend. Watching Anna overcome her first impressions of people is delightful, and such a great message; in my own life, I've often found that people are not what they seem at first glance.
Then, of course, there is romance. Anna has two options on her romantic horizons: party boy and wannabe Magician Owen or controlled, polite British Cole. What's great about this love triangle of sorts is that it's very low key. Anna basically has two very different sorts of crushes on two very different boys, and is trying to figure out which one she actually likes. She doesn't make lifelong plans or commitments, and thinks in terms of the present moment, which is great.
What Left Me Wanting More:
The weak point of the novel was definitely the mystery element. Anna's trying to figure out who means her harm, and the culprit is obvious. Or, at least, was to me. The evil dude is also rather generically evil, too, lacking in motivation, though perhaps this will be developed in later books. On top of that, the ending felt quite rushed, with the climactic scene cut off in the middle, the rest of the happenings explained to Anna after the fact. While this did make sense in context, it was still confusing and anticlimactic for the reader.
The Final Verdict:
Though I initially thought Born of Illusion was a standalone, I'm okay with there being more books about Anna and will be eagerly awaiting Born of Deception. With a vibrant heroine, a cute romance, daring escapes and ghostly visitations, Born of Illusion is a fun and exciting read.
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