Review Detail
4.7 3
Young Adult Nonfiction
298
Power to the Poets
Overall rating
5.0
Writing Style
N/A
Illustrations/Photos (if applicable)
N/A
Learning Value
N/A
Reader reviewed by Kenyon Farrow
If more public officials and politicians could write poetry as visceral as the Human Resources Administration's Director of Community Affairs Alberto Cappas, the world would indeed be in a different place.
Cappas' third book of poetry, Doña Julia, explores the complexities of everyday life for the Puerto Rican immigrant in New York City. The poems are sometimes touching and nostalgic, sometimes painful and alienating, as Cappas speaks to the ways in which poverty and racism impact the lives of immigrants who try to incorporate the supposed American Dream into their realities--and their varying degrees of success and failure in doing so.
In "A Distant Despair," Cappas describes "the Building/With the graffiti/'Viva Puerto Rico Libre'/And other declarations/Woman and her three children/are evicted for not paying the rent." In the same building lives a Mrs. Garcia, who is "glued to the window/Looking from corner to corner/For stories to talk about and invent." The poem is filled with images of what life is like for the tenants of this building. Its beauty (and that of Cappas' writing) lies in its ability to cause a tension for the reader, to leave us torn between those images that evoke a feeling of warmth for the people of the community and the ones that inspire anger, or sometimes hopelessness, over the living conditions that create such poverty.
It is this sort of complexity that keeps Doña Julia from being a book about feeling pity for the people and places it portrays. The book's characters are implicated in their own madness, too. In "Aguacate Power," Cappas shows his frustration with what he calls "unconscious Puerto Ricans" who "have made it in the USA/They exist without the ganas/Without a place in the sun/They sing songs for the politicians/With nothing to offer them in turn for their dedication/They do not know the harm they generate."
The standout poem in this collection is the title piece, "Doña Julia." The poem is about a woman who commits suicide, and leaves a note that baffles police, stating, "One way or the other, I'm going back to Puerto Rico." The poem starkly describes what led the woman to this place. "Do--a Julia/Committed suicide last night/Cause the welfare department/ Demanded too many documents she did not/know existed." It's quite the indictment coming from an employee of HRA.
In a city used to low voter turnout in most elections, where people feel increasingly alienated from their political and community leaders, it is refreshing to find someone working in the system who is sympathetic to the lives of ordinary citizens. Cappas' poetry, never overly sentimental, demonstrates both a talent for the written word and a deep understanding of people, their communities and the larger institutions that influence their lives. The next time you go to the polls, don't elect a politician; elect a poet.
If more public officials and politicians could write poetry as visceral as the Human Resources Administration's Director of Community Affairs Alberto Cappas, the world would indeed be in a different place.
Cappas' third book of poetry, Doña Julia, explores the complexities of everyday life for the Puerto Rican immigrant in New York City. The poems are sometimes touching and nostalgic, sometimes painful and alienating, as Cappas speaks to the ways in which poverty and racism impact the lives of immigrants who try to incorporate the supposed American Dream into their realities--and their varying degrees of success and failure in doing so.
In "A Distant Despair," Cappas describes "the Building/With the graffiti/'Viva Puerto Rico Libre'/And other declarations/Woman and her three children/are evicted for not paying the rent." In the same building lives a Mrs. Garcia, who is "glued to the window/Looking from corner to corner/For stories to talk about and invent." The poem is filled with images of what life is like for the tenants of this building. Its beauty (and that of Cappas' writing) lies in its ability to cause a tension for the reader, to leave us torn between those images that evoke a feeling of warmth for the people of the community and the ones that inspire anger, or sometimes hopelessness, over the living conditions that create such poverty.
It is this sort of complexity that keeps Doña Julia from being a book about feeling pity for the people and places it portrays. The book's characters are implicated in their own madness, too. In "Aguacate Power," Cappas shows his frustration with what he calls "unconscious Puerto Ricans" who "have made it in the USA/They exist without the ganas/Without a place in the sun/They sing songs for the politicians/With nothing to offer them in turn for their dedication/They do not know the harm they generate."
The standout poem in this collection is the title piece, "Doña Julia." The poem is about a woman who commits suicide, and leaves a note that baffles police, stating, "One way or the other, I'm going back to Puerto Rico." The poem starkly describes what led the woman to this place. "Do--a Julia/Committed suicide last night/Cause the welfare department/ Demanded too many documents she did not/know existed." It's quite the indictment coming from an employee of HRA.
In a city used to low voter turnout in most elections, where people feel increasingly alienated from their political and community leaders, it is refreshing to find someone working in the system who is sympathetic to the lives of ordinary citizens. Cappas' poetry, never overly sentimental, demonstrates both a talent for the written word and a deep understanding of people, their communities and the larger institutions that influence their lives. The next time you go to the polls, don't elect a politician; elect a poet.
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