Madeline Usher has been buried alive. The doomed heroine comes to the fore in this eerie reimagining of Edgar Allan Poe's classic short story "The Fall of the House of Usher." Gothic, moody, and suspenseful from beginning to end, The Fall is literary horror for fans of Miss Peregrine's Home for Peculiar Children and Asylum. Madeline awakes in a coffin. She was put there by her own twin brother. How did it come to this? In short non-chronological chapters, Bethany Griffin masterfully spins a haunting and powerful tale of a tragic heroine and the curse on the Usher family. The house itself is alive around Madeline, and it will never let her escape, driving her to the madness just as it has all of her ancestors. But she won't let it have her brother Roderick. She'll do everything in her power to save him—and try to save herself—even if it means bringing the house down around them. With a sinister gothic atmosphere and relentless tension to rival Poe himself, Bethany Griffin creates a house of horrors and introduces a whole new point-of-view on the timeless classic.
Madeline Usher has been buried alive. The doomed heroine comes to the fore in this eerie reimagining of Edgar Allan Poe's classic short story "The Fall of the House of Usher." Gothic, moody, and suspenseful from beginning to end, The Fall is literary horror for fans of Miss Peregrine's Home for Peculiar Children and Asylum. Madeline awakes in a coffin. She was put there by her own twin brother. How did it come to this? In short non-chronological chapters, Bethany Griffin masterfully spins a haunting and powerful tale of a tragic heroine and the curse on the Usher family. The house itself is alive around Madeline, and it will never let her escape, driving her to the madness just as it has all of her ancestors. But she won't let it have her brother Roderick. She'll do everything in her power to save him—and try to save herself—even if it means bringing the house down around them. With a sinister gothic atmosphere and relentless tension to rival Poe himself, Bethany Griffin creates a house of horrors and introduces a whole new point-of-view on the timeless classic.