Review Detail
Young Adult Nonfiction
392
Stunning collection of fat voices
Overall rating
5.0
Writing Style
N/A
Illustrations/Photos (if applicable)
N/A
Learning Value
N/A
3 Reasons You Need THE OTHER F WORD on your shelves:
1.) The list of contributors: The range of voices included in this collection celebrating loving your body and telling your own story is incredible. From authors like Julie Murphy to illustrators like Jiji Knight, there is something for everyone. I loved reading essays from favorite authors, but I also adored discovering new voices and artists.
2.) The premise: As someone who is fat, it's sometimes hard to find solid representation in books, fiction and non-fiction. This collection celebrates a community of people whose bodies happen to be fat. They are men, women, trans, non-binary, white, black, brown, mixed race, young, old, disabled, neurotypical, and neurodivergent, and more. They are writers, artists, podcasters, and more. I wish I had this book for myself when I was a teenager, and I'm so, so glad that teens will now have this book.
3.) My personal favorite essays, Jana Schmieding's "Chubby City Indian," and Hillary Monahan's "Fatness & Horror: The Match Made in Not Heaven": Jana Schmieding's writing is lyrical and lush, my favorite style for creative nonfiction. She discusses her intersectional identify as a fat, Lakota Native woman and what that looked like growing up and as an adult. Hillary Monahan's essay smartly analyzes fat characters and horror, where fat characters typically 1) don't exist on screen, or 2) are the first to die because...fat, apparently. She highlights a few recent successes like Ghostbusters with Melissa McCarthy but rightly points out that these are still few and far between, not to mention the lack of intersectionality among those fat characters. If I could frame both of those essays, I gladly would.
1.) The list of contributors: The range of voices included in this collection celebrating loving your body and telling your own story is incredible. From authors like Julie Murphy to illustrators like Jiji Knight, there is something for everyone. I loved reading essays from favorite authors, but I also adored discovering new voices and artists.
2.) The premise: As someone who is fat, it's sometimes hard to find solid representation in books, fiction and non-fiction. This collection celebrates a community of people whose bodies happen to be fat. They are men, women, trans, non-binary, white, black, brown, mixed race, young, old, disabled, neurotypical, and neurodivergent, and more. They are writers, artists, podcasters, and more. I wish I had this book for myself when I was a teenager, and I'm so, so glad that teens will now have this book.
3.) My personal favorite essays, Jana Schmieding's "Chubby City Indian," and Hillary Monahan's "Fatness & Horror: The Match Made in Not Heaven": Jana Schmieding's writing is lyrical and lush, my favorite style for creative nonfiction. She discusses her intersectional identify as a fat, Lakota Native woman and what that looked like growing up and as an adult. Hillary Monahan's essay smartly analyzes fat characters and horror, where fat characters typically 1) don't exist on screen, or 2) are the first to die because...fat, apparently. She highlights a few recent successes like Ghostbusters with Melissa McCarthy but rightly points out that these are still few and far between, not to mention the lack of intersectionality among those fat characters. If I could frame both of those essays, I gladly would.
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