The Last Kids on Earth (Last Kids on Earth #1)

THE LAST KIDS ON EARTH: THE GRAPHIC NOVEL is an engaging retelling of the popular series. The story follows Jack, a 13-year-old amateur photographer who has been living in a treehouse since the end of the world due to zombies and monsters. He is eager to get in touch with his best friend and to find his crush (if they haven't been turned into zombies). Along the way, he has tried to lighten up his world by comparing it to video games with achievements and noting monster skills/weaknesses. This apocalypse is anything but easy!

What I loved: This was a really engaging format that worked so well. Jack's personality comes across throughout the story with his badges and monster details appearing in full color. The story is told equally through the images as with the text, so the text never takes over. The illustrations are fantastic, colorful, and imaginative, and they really tell the story, having been modified into a graphic novel extremely well - so well, it feels like this could have been the original format. The text is easy to follow along and maintains a great conversational tone throughout, with a bit of humor despite the circumstances.

There are a lot of strong themes in the story around bullying, working together, friendship, adaptability/dealing with change, forgiveness, and fear/bravery. These are themes that work well for the intended audience. Due to some of the scariness of monsters/fighting, I would recommend this more for an older middle grade/young YA audience, which also works well due to the main characters' ages (13).

Final verdict: THE LAST KIDS ON EARTH: THE GRAPHIC NOVEL is an engaging and adventurous middle grade story with compelling characters, plenty of action/adventure, and strong themes. Would recommend for older MG/young YA readers.

What worked:
This book is related to a Netflix series of the same name. The story is told by Jack Sullivan, thirteen years old and alone fighting monsters that have invaded the world. Jack narrates by speaking directly to readers so they can inform future readers about his life immediately after the onset of the Monster Apocalypse. After all, he’s a “zombie-fighting, monster-slaying tornado of cool”. This strategy helps draw readers into the story by making them Jack’s partner and confidante. Readers can also connect with Jack as he treats life as a video game full of quests and brave deeds. He’s even assigned himself tasks called “Feats of Apocalyptic Success”. These challenges include Mad Hatter (stealing hats off five zombies), Make it to Quint’s House Without Dying (self-explanatory), and Damsel in Distress where Jack dreams of saving his crush, June Del Toro, if she hasn’t already been turned into a zombie.
The story is accompanied by sketches of characters and monsters encountered along the way. Illustrations of Dozers, Winged Wretches, and a Blarg help to visualize the imaginary monsters that Jack names and battles as needed. Virtually every page includes pictures that augment the experience for readers who might benefit from graphic “deets”. Seeing Jack’s tree fortress and fun house, the streets teeming with zombies, and Jack’s pet monster named Rover makes these mental images clearer and more effective. The illustrations mesh with the story and often are used to replace words and narrative. This technique helps the flow and pace of the adventure so it never gets stagnant.
At its essence, the book addresses Jack’s need for family and home. He’s an orphan who’s moved to many different foster homes across the country, always moving before he can become close to anyone. Little information is given about his real parents and no one has taken the time to bond with him until he meets Quint. Quint is his best, and only, friend, and Jack is relieved when he discovers Quint isn’t dead or undead. The boys have similar interests although Quint's special interest and talent is for experimenting and inventing. Jack’s need for stability and home becomes very distinct when he’s willing to defend his treehouse against an overwhelming, formidable enemy. It’s amazing to see what he’s willing to do to protect the most stable home he’s ever known. Too bad it’s in the middle of a monster apocalypse.
What didn’t work as well:
The plot is kept simple and playful so experienced readers will probably want more depth to the story. The conflicts center on rescuing June and defeating Blarg once a for all and Jack’s hilarious antics lead to the book’s final conclusion. If you’re looking for serious literature then this book isn’t for you. If you’re looking for amusement then it’s right up your alley.
The Final Verdict:
This book will satisfy those readers looking for a fun, goofy adventure of friendship and monster-slaying. The humor of the whole situation and Jack’s determination to save June Del Toro and complete his Feats of Apocalyptic Success” will entertain everyone. I recommend you give this book a shot.