Review Detail

Max in the Land of Lies is the conclusion to the duology by Adam Gidwitz. In the first book, we met Max Bretzfeld as his parents found him safe passage out of Germany just as things were going from bad to deadly for the Jewish people in World War II under Hitler’s leadership. In his English home, Max convinces the family to let him train for a spy mission back in Germany.
This story is the continuation of Max’s harrowing adventures as a spy behind enemy lines in Germany. This is not traditional historical fiction because the author has introduced two magical creatures, Berg and Stein, to sit invisibly on Max’s shoulders. Their presence serves several purposes. The first is that they lighten the tone of a book centered around the horrors of a country full of Nazism, making it suitable for Middle-Grade readers. The other is that Max is portrayed as very clever and able to pull off long pranks to avenge himself against bullies and antisemites. Gidwitz does not have Max use much inner dialogue with readers, and as a spy, he must keep his own counsel, so Berg and Stein allow us to question Max’s actions and be astounded by his cleverness. Third is that they bear witness along with the reader about life in Nazi Germany.
I really like that at the end of the story, the author takes the time to break down how much of the story is real and where he deviated, showing us that not much is actually fiction. Another incredibly poignant decision he made in crafting this tale was humanizing the German people. He explains that for years in books and movies, Nazi’s are the big bad, the easy villains, or oafish buffoons destined to lose because they are monsters. Gidwitz examines, through Max’s interactions, many reasons why people stayed in Germany or supported the Nazis. Some out of fear, power, sense of pride, community, propaganda, income, school’s curriculum, government incentives, bad economy, apathy, because it didn’t affect them. There are as many reasons as there are people, and that is especially impactful given the close parallels to events of today’s time. Seeing a population learn how to act monstrously strikes the need to be vigilant in our own times.
I also like that Gidwitz examined the mindset of the English as well. They are not given the hero worship treatment, but their underbelly was shown, too. Through Max, we see the causal cruelty and ill will toward Jewish people. Higher up government officials who were hearing about the horrors of concentration camps, as death camps, and didn’t want to believe it or try to intervene for years after learning about it.
Everything leads up to Max’s debriefing and describing his mother’s experience in a concentration camp. We aren’t there as the reader when he visited her, so some of the visceral horror is lost, but it doesn’t shy away from enough details to still make us think of our own family. By the end, you are faced with a strong representation of what it was like that stays with you long after the book is closed. Max’s realization that the antidote to Nazism is the small acts of love and friendship that help us see our neighbors clearly and hold them in our hearts was a great moment in the book.
As far as a story centered in World War II, Nazi Germany, and the plight of the Jewish people, this book does a fantastic job exploring the topic while remaining at an age-appropriate level of detail for Middle-Grade readers. It’s so important to learn the difficult parts of history so we can be vigilant not to let it repeat, so I would say even sensitive readers need this story, and it is handled as gently as the topic can be without doing it a disservice.